Fine Print: Chimney. USA, 2004-2019
Over two decades, Gregory Halpern has been photographing in and around his hometown of Buffalo, New York, meticulously crafting the series of photographs that forms his latest monograph. King, Queen, Knave is an idiosyncratic vision of a city amidst its contradictions, defying familiar narratives of post-industrial decline and embracing an enigmatic strain of reality verging on surrealism. Halpernās mesmerising sequence unfurls as a stage across which distinct and unpredictable characters appear in and amongst solitary buildings, snowdrifts, and sun-bleached scenes of everyday transcendence.
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Fine Print: Chimney. USA, 2004-2019
Fine Print: Chimney. USA, 2004-2019
Over two decades, Gregory Halpern has been photographing in and around his hometown of Buffalo, New York, meticulously crafting the series of photographs that forms his latest monograph. King, Queen, Knave is an idiosyncratic vision of a city amidst its contradictions, defying familiar narratives of post-industrial decline and embracing an enigmatic strain of reality verging on surrealism. Halpernās mesmerising sequence unfurls as a stage across which distinct and unpredictable characters appear in and amongst solitary buildings, snowdrifts, and sun-bleached scenes of everyday transcendence.
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Over two decades, Gregory Halpern has been photographing in and around his hometown of Buffalo, New York, meticulously crafting the series of photographs that forms his latest monograph. King, Queen, Knave is an idiosyncratic vision of a city amidst its contradictions, defying familiar narratives of post-industrial decline and embracing an enigmatic strain of reality verging on surrealism. Halpernās mesmerising sequence unfurls as a stage across which distinct and unpredictable characters appear in and amongst solitary buildings, snowdrifts, and sun-bleached scenes of everyday transcendence.























